Drama and excitement characterise the Hindu group (Caves 13 to 29). In terms of scale, creative vision and skill of execution, these caves are in a league of their own.
All these temples were cut from the top down, so it was never necessary to use scaffolding – the builders began with the roof and moved down to the floor. Highlights include caves 14, 15, 16, 21 and 29.
Cave 13 is a simple cave, most likely a granary. Cave 14, the Ravana-ki-Khai, is a Buddhist vihara converted to a temple dedicated to Shiva sometime in the 7th century.
Cave 15, the Das Avatara (Ten Incarnations of Vishnu) Cave, is one of the finest at Ellora. The two-storey temple contains a mesmerising Shiva Nataraja and a Shiva emerging from a lingam (phallic image) while Vishnu and Brahma pay homage.
Caves 17 to 20 and Caves 22 to 28 are simple monasteries.
Cave 21, known as the Ramesvara Cave, features interesting interpretations of familiar Shaivite scenes depicted in the earlier temples. The figure of the goddess Ganga standing on her Makara (mythical sea creature) is particularly notable.
The large Cave 29, the Dumar Lena, is thought to be a transitional model between the simpler hollowed-out caves and the fully developed temples exemplified by the Kailasa. It has views over a nearby waterfall, though the path was inaccessible at time of writing. It's best reached via the MSRTC bus.